I was in the mood to review some photos from one of my favorite "local" places to photograph: Hanging Rock State Park, in Danbury NC. What else but rocks and water, like usual.
Here are a few of my favorites from past trips - I hope it inspires the photog in you:
I thought I'd share a few select photos from my recent trip to Italy, many made with my recently acquired Panasonic Lumic G 20mm/f1.7, and all made with the Olympus EPL-2...
Altar of the Fatherland Monument, Rome
St. Peter's Square from the cuppola of St. Peter's Basilica
Michelangelo's Pieta, in St. Peter's
Dome of St. Peter's across the Tiber from Ponte Sant'angelo
Foro Romano at night, from above the Portico Dii Consentes
Growing thunderhead above Ponte Vittorio, Rome
Santa Maria Del Fiori from Giotto's Campanile (belltower)
Benedictine Church of St. Peter in Assisi
Piazza del Campo, Siena, from atop the unfinished 14th c. extension wall of the Duomo
My new favorite photographer is Jan Scholz. He bucked the trend, having started in digital, but ending up shooting all his current serious work in film, primarily black and white large and medium format.
And, he says his work is still much a "hobby" and makes a living doing things other than photography. He shoots primarily in existing light, often making no more than a handful of images throughout a full days work with a model. (some photosmay not be safe for work)
Its all about the light, and in this first installment of Nature Photography tips, we look at some basic tools to enhance your nature photography, and some simple ways to modify light...
Like a lot of folks, I tend to wax nostalgically about the good old days, when I was younger, girls were prettier and my photography was more fun. But was it really that way?
I have a small collection of old film cameras, many of which I've used extensively, in a glass case in my home. Of these, there are a select few that I really, really enjoyed using, and I still miss the feel of holding those cameras, winding the cranks, thumbing the focus, and how each was a unique experience to use. Using my old Nikon F3, for instance, was vastly different than either the Yashicamat or Speed Graphic, and here you get a sense of why that was...
Obviously, very, very different machines from one another, and none of them remotely like the auto-everything, slick as a baby's butt modern cameras we have today. But as much as I loved these machines, I just can't see ever going back to using film. Its not the waiting for development, or the inability to "chimp" the photo on the LCD screen that makes me feel this way. In addition to the fact that digital is just plain sharper, and gives me more detail than film ever did (and yeah, I'm including Kodachrome 25, Fuji Velvia etc etc), my biggest reason for ditching film is the freedom from the dangers and mess of the chemical darkroom. As much as I'm a "materials and processes" guy, and trained at R•I•T in the imaging sciences back when chemical photography was all there was, I don't miss trading the chemical fog of the darkroom for the "lightroom" that is my computer. I just wish I could place a digital sensor into any of my old machines and still use them, but negate their chemical dependancy. (I theoretically could do that with the Speed Graphic, ironically about the oldest camera I own, by placing a large format digital-back in its Graflex Holder. Albeit for about $20,000, that's not a practical option for me) Tangentially related, as a very young person, I melted a mixture of lead, tin, and old typeface to make the pigs for the Linotype and Mergenthaler machines at a hot type printer in Buffalo, NY in the early 1980's. They were still running Meihle's, Hiedelberg Windmills, and a couple of Kelly "C" presses well into the 1990's, and may still be for all I know. It was dangerous stuff. One guy had lost a finger in a Kluge hand-feed press right before I arrived, I myself was crushed by a truck in the loading dock, requiring 5 surgeries in all, and the Linotype guy lost a thumb to a type-trim saw while I was in the hospital from my own accident. Yeah...those were the days. Here's a video I found on YouTube that shows some of the actual presses I worked with, and around, in those days. Watch out especially for the guy using the hand-feed press, you can see how easy it would be to leave your hand in there:
Now, this stuff was more mechanical, industrial and dangerous than my photography ever was. And it was my being injured in printing that led me to attend R•I•T for photography, even though I continued to work in printing for another 20 years. My point being, that while I miss certain physical and mechanical aspects of the old days of photography (and printing), I'm also really happy that we have safer ways of creating an image.
And creating images is what its all about. Be Safe.
This is a wee bit of a followup to the "Fun in the Dark" and "Dare to be Square" posts, both of which employed "large" apertures. Here's a few tips on something else to do with all that "fast glass" in your hands:
